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  <titleInfo>
    <title>Music through the centuries</title>
  </titleInfo>
  <name type="personal">
    <namePart>Rossi, Nick</namePart>
    <namePart type="date">1924-2000</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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  <name type="personal">
    <namePart>Rafferty, Sadie.</namePart>
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    <place>
      <placeTerm type="text">Boston</placeTerm>
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    <publisher>B. Humphries</publisher>
    <dateIssued>[1963]</dateIssued>
    <dateIssued encoding="marc">1963</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>744 pages illustrations, portraits, facsimiles, music 24 cm</extent>
  </physicalDescription>
  <tableOfContents>I. The beginnings : Music of the Greek era ; The early Christian era ; Organum (Rex coeli domine) ; Rhythmic modes ; Solmization (Ut quetant laxis) ; Notation -- II. Music of the Middle Ages : The troubadors (A l'entrade del tems clar) ; The minnesinger (Mayenzeit one neidt) ; The instruments ; Mensural notation ; Secular polyphony (Summer is a-coming in)</tableOfContents>
  <tableOfContents>III. Music of the Renaissance : Music printing ; Josquin des Prez (Missa Pangue Lingua) ; The Protestant chorale (Ein' feste burg ist unser gott) ; Giovanni Pierluigi da Palestrina (Pope Marcellus Mass) ; Tomas Luis de Victoria (Ave Maria) ; Instrumental music ; The madrigal ; Orlando di Lasso (O lady fair) ; Hans Leo Hassler (Dancing and springing) ; Claude le Jeune (The return of Maytime) ; Thomas Morley (Now is the month of Maying)</tableOfContents>
  <tableOfContents>IV. The Baroque era : Giovanni Gabrieli (In ecclesiis) ; Claudio Monteverdi (Arianna) ; Heinrich Schutz (Passion according to St. Matthew) ; Arcangelo Corelli (Concerto grosso, opus 6, no. 8) ; Alessandro Scarlatti (Exultate deo) ; Francois Couperin "le grand" (Les barricades mysterieuses) ; Antonio Vivaldi (Concerto in D minor) ; George Frideric Handel (Messiah) ; Johann Sebastian Bach (Fugue in G minor; suite no. 3; Brandenburg concerto no. 2; Jesu, joy of man's desiring) -- V. Music of the Classical era : Franz Joseph Haydn (Symphony no. 88) ; Wolfgang Amadeus Mozart (Symphony no. 40)</tableOfContents>
  <tableOfContents>VI. Music of the Romantic era : Carl Maria von Weber (Der freischutz) ; Ludwig van Beethoven (Symphony no. 3) ; Franz Schubert (Symphony no. 8; Der Erlkonig; Standchen) ; Hector Berlioz (Symphonie fantastique) ; Felix Mendelssohn-Bartholdy (Concerto for violin and orchestra) ; Robert Schumann (Symphony no. 3; Die beiden grenadiere; Dichterliebe) ; Frederic Chopin (Ballade opus 47, no. 3; Etude, opus 10, no. 12; Fantasie-impromptu; Mazurka, opus 7, no. 3; Nocturne, opus 15, no. 2; Polonaise, opus 53; Prelude, opus 28, no. 15; Waltz, opus 18) ; Franz Liszt (Les Preludes) ; Giuseppe Verdi (Aida) ; Richard Wagner (Der ring des Nibelungen) ; Johannes Brahms (Symphony no. 2; Minnelied) ; Cesar Franck (Symphony in D minor) ; Georges Bizet (Carmen) ; Peter Ilyitch Tchaikovsky (Symphony no. 4) ; Giacomo Puccini (La Boheme) ; Richard Strauss (Till Eulenspiegel's merry pranks) ; Jean Sibelius (Symphony no. 2) ; Sergei Rachmaninoff (Concerto no. 2 for piano and orchestra)</tableOfContents>
  <tableOfContents>VII. Nationalism : Modest Mussorgsky (Boris Godunov) ; Alexander Borodin (Quartet no. 2) ; Nicholas Rimsky-Korsakov (Scheherazade) ; Bedrich Smetana (The Moldau) ; Zoltan Kodaly (Hary Janos suite) ; Antonin Dvorak (Slavonic dances) ; Edvard Grieg (Concerto in A minor for piano and orchestra) -- VIII. Impressionism : Claude Debussy (Prelude a l'apres-midi d'un faune; La mer) ; Maurice Ravel (Daphnis et Chloe; Bolero) ; Manuel de Falla (The three-cornered hat) ; Ottorino Respighi (The fountains of Rome)</tableOfContents>
  <tableOfContents>IX. New music : Ralph Vaughan Williams (Symphony no. 8) ; Arnold Schoenberg (Pierrot Lunaire) ; Bela Bartok (Concerto for orchestra) ; Igor Stravinsky (Petrouchka) ; Serge Prokofiev (Lt. Kije suite) ; Darius Milhaud (Suite Francaise) ; Paul Hindemith (Mathis der Maler) ; William Walton (Belshazzar's feast) ; Benjamin Britten (A ceremony of carols; The young person's guide to the orchestra) -- X. Music of the United States : Charles Ives (Sonata no. 4 for violin) ; Charles T. Griffes (The white peacock) ; Walter Piston (The incredible flutist) ; Howard Hanson (Symphony no. 2) ; Virgil Thomson (Acadian songs and dances) ; Roy Harris (Symphony no. 3) ; Randall Thompson (Alleluia) ; Aaron Copland (Appalachian spring) ; Paul Creston (Symphony no. 3) ; Samuel Barber (Symphony no. 1) ; William Schuman (New England triptych) ; Gian-Carlo Menotti (Amahl and the night visitors).</tableOfContents>
  <note type="statement of responsibility">by Nick Rossi and Sadie Rafferty. Pref. by William C. Hartshorn.</note>
  <subject authority="lcsh">
    <topic>Music appreciation</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Composers</topic>
  </subject>
  <subject authority="fast">
    <topic>Composers</topic>
  </subject>
  <subject authority="fast">
    <topic>Music appreciation</topic>
  </subject>
  <classification authority="lcc">MT6.R7995 M9</classification>
  <classification authority="ddc">780.15</classification>
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    <titleInfo>
      <title>Music through the centuries</title>
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    <name>
      <namePart>Rossi, Nick, 1924-</namePart>
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    <originInfo>
      <publisher>Boston, B. Humphries [1963]</publisher>
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    <identifier type="local">(OCoLC)609479044</identifier>
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    <recordCreationDate encoding="marc">730608</recordCreationDate>
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    <recordIdentifier source="OCoLC">ocm00638809 </recordIdentifier>
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